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Model: Gouache on Kraft Paper
Something Modern
And after I finished the Infanta Maria below, I decided to just “let er rip” with imagination and my gouache. So here’s the kind of fun I created in a more modern mode. In these two pieces I’m expanding below the neckline….What a hoot. Faces have been my focus…maybe someday i’ll be able to draw bodies too.
Well, I challenged myself here (in different post now – revised) with this Velasquez Infanta Maria painting….it’s my new gouache palette, AND, something i NEVER do….i limited myself to a very narrow palette. Researched the Velasquez palette – burnt sienna, yellow ochre, ultramarine blue……but I did have to add some of my napthol red….) for Velasquez I’m guessing that was vermilion).
Here’s what i learned:
- a limited palette is challenging and fantastic practice.
- greys are tricky….be sure you make enough of a puddle of grey to last the entire painting. A bit more ultramarine cools it nicely. My greys are inconsistent.
- The very very darks here were challenging, too……LOTS of paint – bt sienna and ultra…..with a twit of yellow ochre (actually i use Schmincke’s titanium gold ochre, at Roz’s recommendation). But I am buying Payne’s Grey today….cuz I don’t like mixing my darks, too lazy, I guess.
- Folds are HARD. I’ve never done folds before, so I see a new area of study for myself.
- It was fun! Now I want to see the original!
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HiSuper,I like your colours in gouache and it is a beautiful Infanta Maria piece.Keep up the good work.
They are lovely…Well done..Keep it up! BTW I have started a new blog dedicated to my sketch work — Art on Sketchbook
Hey, since you’re following my advice about some other colors DON’T get Payne’s Gray, but a tube of Schmincke’s Dark Indigo Gouache. It’s PB60 and it will blend into lovely rich darks when mixed with your burnt sienna. You’ll love it!
i loved visiting your site. it was very inspiring and thanks for the tips and ideas